Category: “How-to” articles
One of the issues of normal “stock” photography – especially studio and people/lifestyle images – is that they tend to remove the opportunity to add an artistic flair to the image. Pure white isolation, room for editorial copy, deep depth of field – all these are part and parcel of a stock image. Photographers are driven by other aims though – the ability to create an image that wows the audience, or takes their breath away, but is it possible...
Lightroom 4 introduced a new (and not well publicized) feature – the ability to edit 32 bit images using the sliders and tools we know so well! So what, you may say! However, a 32 bit image, created by combining the exposure values from a number of shots taken at different exposure levels, contains an enormous amount of information about the dynamic range of the scene, and we can bring out hidden details in the shadows and reduce over-exposed highlights...
Every so often, when I think I have enough good and different images, I create a calendar of a location or country on Zazzle. My early attempts of a calendar about Kauai sold very well, and I keep updating it with a few new images and change the cover page (and dates) each year. It doesn’t take much effort, it sells from time to time (and I can also buy copies myself for Christmas gifts!) I’ve just finished my latest...
Everyone is probably familiar with green screen technology – look at some of the fantastic movies and even the weatherman to see green screening (or chroma key) in operation. Stock photographers can use it to extract an object from a background by taking the image against a green cloth and then getting rid of the “green.” Why not just take the image against a white background that is bright enough to burn out to pure white? Well, it is hard...
One of the smaller line items (but still significant!) in my monthly sales tables is Pond5. This site is one of the leading agencies in stock footage – and since I uploaded my first movies in 2010, I have earned over $850 from the licensing of short video clips. The sales are a bit intermittent, but each one nets around $30 (they sell for $50 to $60), and so a sale makes quite a difference to my monthly earnings. I...
I cover both of these sites in detail in my eBook, but a couple of updates that will be useful if you are uploading to these sites. Fotolia: When I upload to Fotolia, I now click on the “State” heading in “Manage Files” before starting to edit the uploaded images prior to submission. This keeps all the unsubmitted files on the first page of images, and stops you having to keep jumping to later pages if you have uploaded a...
On hot days (and cold ones in winter) taking macro studio shots can be a great way of building up your portfolio. The main problem with macro images is the extremely narrow depth of field, so you can take a photo of a coin straight on, and get it all in focus, but if you wanted to take a stack of coins laying flat on the table, no manipulation of the aperture would increase the depth of field sufficiently to...
Taking stock images every day can get a bit wearing, and so I sometimes try something a bit more adventurous – who knows if it will ever sell! I decided to try taking an image of an incandescent lamp with the glass removed and the filament burning out. I thought it might have some interest when these types of inefficient bulbs are taken off the market. There is a great site from back in 2007 about this topic which gave...
Lightroom, especially in versions 3 and 4, has become an essential tool in my workflow for stock images. I can modify exposure and white balance to get the image to its best state, and add description, title and keywords ready for upload. My process for keywording a group of similar images is to get a set of the keywords that describe the basic scene and sync that to all the similar images, and then add some specific keywords that fully...
One of the disappointments of stock photography is that you can sell hundreds (eventually!) of downloads, but you rarely get the satisfaction of seeing them in print, or, even better, knowing that someone else liked the image enough to get it printed for their home or office wall. I did come across one of my images of Overall Run Falls in a copy of the Guide to the Shenandoah National Park, which was nice: But my biggest kick was seeing...
